The article discusses the possibilities of the formal analysis of the fine-art painting composition on the basis of the classical definitions of beauty and computational aesthetics’ approaches of the second half of the 20th century he authors define the problem and consider solutions for the formalization of aesthetic perception in the context of aesthetic text, i.e., as part of the fine arts composition – a formal sequence of signs simply ordered in accordance with the syntactic rules’ system. The methodology of (...) the research is defined by the general semiotics, distinguishing semantics, syntax, and pragmatics of a sign, by the aesthetic analysis’ methods, ranging according to the author’s message aesthetics, receptive aesthetics, and text aesthetics, as well as by the computational analysis methods connected with neural network means of defining the images’ symmetry. The article reveals preconditions for the emergence and also the current state of computational aesthetics as an interdisciplinary branch of knowledge. Analyzing the problem from the perspective of philosophy, aesthetics, semiotics, and technology, the authors draw attention to the need to improve the computational aesthetics methods. Firstly, the existing methods do not always enable to describe the fine-art object adequately. Secondly, there exists the so-called reduction of aesthetic assertion transforming it into the assertion concerning the object’s external characteristics. As a result, the authors assume that the increasing complexity of the current mathematical models and the experts’ subjective assessment support will allow to reach a compromise solution that enables the development of computational aesthetics as a branch of knowledge. Enhancement and development of the mathematical models, taking into account the rules of semiotics and subjectivism of the human perception, is the relevant objective of computational analysis of the aesthetic fine-arts text. The results of the present research supports the classic statement regarding the underivability of semantic and pragmatic propositions from syntax. The research concludes that relevant objectives are to find a correlation between, one the one hand, the axes and points of symmetry, deriving from the neural simulation, and, on the other hand, aesthetic effect, emerging from the perception of fine-art paintings. (shrink)

The article provides the general opinion of philosophers, scientists, and engineers heading institutes and centers of Samara National Research University regarding the issues of scientific and technological progress, social management problems under the condition of digital reality, human functions in new artificial environments. The technology is classically understood as satisfaction of human needs through the ability to apply knowledge of the laws of universe or nature in the broad sense. With advances in technology, the artificial human environment, the metacosmos, emerges. (...) It is formed by technologies: by energy conversion machines, information processing machines, and presently by artificial intelligence. The evolution of the artificial environment, caused by scientific and technological development, entails social transformations, changes in the goals and methods of management system in human communities. Nowadays, the accumulated amount of contradictions of the information society testifies to the need of the search for a new form of organization of social structure, for new goals that would include human development, its creative potential growth, increase of the role of man in scientific and technological development. The authors discuss what the artificial intelligence technologies creating a new artificial human environment should be like to meet those goals. The article analyzes the impact of the fourth industrial revolution on the transformation of society. The question is raised from what philosophical positions one should understand man, society, technology, social development, and its goals. Analyzing the fundament for the philosophy of technology concepts of human, space, evolution, technology, artificial nature, the principles of the society 5.0 are introduced, which were formulated by Noritsugu Uemura. The authors conclude that the development of the artificial intelligence technologies provides opportunities for consistent unlocking the human potential, for advancement in personal growth, and finally for overcoming the crisis of the imbalance between the technological and the human, which characterizes contemporary information society. (shrink)

The article reviews the regular international scientific conference on science fiction – Stanisław Lem Readings. The conference is held since 2007 by the Department of Philosophy in collaboration with the Department of Russian and Foreign Literature and Public Relations of the Samara National Research University. The summary shows the history of the conference, formulates the main definitions of the category of science fiction, proposed by its participants, demonstrates the topics, genres, and key approaches that make up the problem field, lists (...) its most eminent speakers. Lem Readings are currently an international platform for a regular interdisciplinary dialogue between philosophers of technology and futurologists, active engineers and scientists, anthropologists and sociologists. The basic principles of the conference – freedom of expression, professionalism, striving for the synthesis of heterogeneous systems – remain unchanged during the years, and they correspond to the idea of the science fictional as a possibility that can be realized. (shrink)